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Saturday, December 12, 2015

Photos from Thursday's brunch




I wish I could include photographs of the women who made this delicious food--but the food says so much about hospitality!

The bread in the top photograph is an Arabic bread, each strip of dough filled with an incredible mix of flavors before being coiled and baked.  The cheese and vegetable tray looks like a round painting.

Friday, December 11, 2015

Orange and gold music?

Seventy-degree San Antonio in mid-December is as postcard pretty as it is in our mid-April profusion of wildflowers.

Yards are covered in orange, brown, and gold leaves, extraordinarily beautiful on these foggy mornings.  The umbrellas of trees on these streets are as vivid today as New England's in October.  The leaves not yet fallen make the trees stand out like bright jewels on the white fog. I love it!

I also love the lights on trees at night.  Driving across the dam just now I saw a single huge tree draped in blue lights trunk to top--breathtaking!

What I don't love so much is that every store, car service department and phone-wait music has been Christmas music so long that it's getting tiresome.  In my treks around town this morning to attend to my car and other things, I heard  "Let it snow" about five times.  It hasn't snowed here in years and I don't expect piped music to encourage a single snowflake to fall.

What I'd like to hear is an assortment of music from different traditions and geographies.  What I'd enjoy for shopping and waiting would be either silence or  music that features orange and gold holidays, not just the Norman Rockwell version of white Christmas.

Having spent the past few days with women of all faiths and none, I wonder: if it's tiresome to me, what must it be like for people who don't celebrate Christmas?

I'll be home for Christmas, the song says--and I will indeed be driving to Georgia and Virginia for the holidays.  But what about the many people who are homeless and the people whose family members are no longer there to see?  No wonder--against the backdrop of happy Christmas music--there's an epidemic of the blues during the holidays.

I know--I sound like the grinch!  But even as I write this, I'm wrapping little presents for my writing group tomorrow and making a cake.






Thursday, December 10, 2015

Three Stories

Three unrelated stories of my life before 11 a.m.

First, I found a charge of $325 dollars on a Visa card I never even use--a phone order to Amazon that I didn't make.  Fortunately, I caught it in time to report it as fraud and Chase cleared it up.  So, be careful to check your card balances.

Second, we just did another photo shoot--this time of an 84-year-old Muslim woman.  She brought out tea bags and a red tea pot, and I thought: how nice, she's made us tea.  But then she showed us the spread of foods on her dining room table!  They were not only beautiful but unbelievably delicious--I'll post pictures later.

Third, on my way home, Will called to tell me that a group of young carolers showed up at the fire station to sing Christmas carols to the firefighters--only to have the firefighters sing back!

Now I'm heading to a Chinese acupuncturist to see if she can fix my neck issues, then to another photo shoot, then to a dinner party tonight.

I can't wait until this book comes out so I can send you a link and you can, if you like, meet all these amazing women in print!




Wednesday, December 9, 2015

Women in their ninth and tenth decades

Yesterday, I did photo shoots--to borrow a phrase from the real professionals--of four women.  I'm an amateur photographer, but I have a rather professional-looking camera. I'm learning as I go--taking pictures of women in their houses, surrounded by art and books, photographs and memorabilia and other tracks of their decades of living.  It's part of an exciting project I'll say more about later, and the credit for this project goes to the two who started it and invited me to take pictures.

I loved being behind the camera for a day, observing.  All of these women and the three we've done previously (one a personal friend, the rest new to me) were older than I am by a decade or two.  All of them are role models of vitality and enthusiasm. Some of them are retired from their former careers; some are still working; some are enjoying doing things they always wanted to do.  Some are married, others are widowed or divorced or single.

I saw an extensive collection of art from one woman's travel and a house filled with years of art-making in another's house.  I heard snippets of their stories, including some that were very sad and difficult.  They all seemed happy and active and busy, women who've lived long lives and are busy looking forward to more great years.

As I was doing this, my mother (who just turned 90) sent me a picture of her with her sister, Dot, 84.


Carlene drove the three hours to Dot's house and the two of them have been galavanting (as they call it) for the past three days, shopping and eating out and walking.








Tuesday, December 8, 2015

Home

So much of literature turns on the question: What and where is home?  So many travelers spend years trying to "get back home." Frost writes in "The Death of the Hired Man," "Home is where/when you have to go there/ they have to take you in."

The film, Brooklyn, is all about the experience of one Irish immigrant to the United States, 1952.  It's haunting to follow her into a strange world (America), then follow her back to Ireland--where the question that propels her is Which place do I choose as home?

Yesterday's episode of Fresh Air was an interview with Rick Moody, author of Hotels of North America.  I haven't read it yet, but will.  The entire book is written in the form of  hotel reviews.

Terry Gross asked Moody to read the section of the book that has to do with home:

Home is the place your enemies would wish to avoid.

Home is the place your former lovers are troubled by.

Home is where you can sit at the quiet table in the morning.

Home is the place you sometimes hate but you also love the second you leave it.

Home is any address that causes you to tear up.

Home is near the metal box that has your surname on it, where nearly every postcard you have ever received has been delivered.

Home is where the government of your nation believes you live.

Home is where your mother or father brought you the second you no longer lived in the hospital.

Home is where you first sang whatever it is you first sang.

What "welcome" means you first learned there, as well as "home."

Home is where your bedroom was and is now.

Home is where you sleep more days than you sleep anywhere else because if it were otherwise, you'd renegotiate the application of the word, home. 

Home is what you will describe in your masterpiece, either home or the leaving of home.

If you say you have no home on earth, then what you mean is that there was trouble at your home.

Home is where you go right before dark.

Home is where you go when you are recovered; 

When work becomes impossible, you will long for home.

It is possible that in your life you have had multiple homes, a sequence of homes, and that each of these has required a transition.  For example, when you were in a car that carried you to a home where both your parents had lived together to a house where only one of your parents lived even during that car ride there was still an idea of home.  



Saturday, December 5, 2015

Art Day

My friend Pam should be a docent of art-events in San Antonio.  She picked me up this morning and took me to a pottery sale by a local potter,  Dudley Harris.

Dudley is a retired doctor who makes pottery because he loves it.  Every December, he opens his beautiful Japanese-inspired studios and sells bowls and vases and pots, each year for a different benefit.  Today's proceeds go entirely to Texas Public Radio, which is so much a part of my daily conversation that it's like a personal friend.

I asked Dudley where his people come from, and he said Tennessee--same as my Harris/Cherokee paternal grandfather. But beyond that, neither of us knows much.  For all I know, we're cousins.

I loved the simple beauty of his house, grounds and studios, and I enjoyed handling and buying a few of his bowls for Christmas presents.  I like the spare architecture, the Japanese rice paper screens that make his studio look more like a meditation center than a work space.  The pottery sale continues next weekend and I may go back to look again.

After the pottery exhibit, we were going to SAMA for the annual Pottery Guild show, but the traffic around The Pearl took us so long to get through that we decided to check that off our list and go to Hecho A Mano instead.  In former years, it's been a great show, but we were disappointed this year--so we quickly walked through, then went to Simi's for Indian food.

Elena will be here at the crack of dawn and staying with me while her mom runs a marathon downtown, so I'm turning in for the night, winding down watching episode 5 of River--a brilliantly-written and acted series on Netflix.


Flying Day


I can remember when the now-sprawling Atlanta airport was one building.  When we were about 12,  Patsy's daddy parked in front of it so we could watch the planes taking off and landing, one at a time, with long spaces between. 

I remember, years later, the sight of my parents' happy faces at the gate--the actual gate!--when I arrived from Texas. Arrivals were so exciting, departures so sad. When the Georgia visit was over, too soon, we sat in the gate area together dreading saying good-bye.

Once, when Little Girl Day was flying home from Nana's house alone, Carlene remembers her asking, "Nana, will you listen for me?"--so she wouldn't miss the announcement to board her plane. 

Yesterday, in the multi-terminal airport, I felt like a relic of another century! After a very long line at security, I sat at Gate C22 eating my Atlanta Bread croissant. There were no festive arrivals.  Many of the travelers were plugged in to earphones and most of them looked serious, efficient, and exhausted. 

Carlene and I got up at five yesterday morning, drove through the "parking lot" that is Interstate 85 traffic, then got to the MARTA train station by seven, still sobered by yesterday's news of the shootings in San Bernardino.  I remember driving through that city in the mountains of Southern California two years ago, how peaceful it was--and now the news is dominated with yet another terrible mass shooting there.   

Although I don't always take the train to the airport, I've taken it often enough.  Yet the space between trips is long enough that I never quite remember how to use the ticket vending machine.  Younger, more mass-transit-savvy travelers walk up to the machine, insert cards, tap here, punch there, and walk away with their Breeze cards, easy easy.

I was stymied by the machine and I had to ask for help from a traveler standing nearby.  I felt inept, ridiculous, klutzy--and old.  Carlene tried to help me carry one of my bags into the station and wound up inside on my Breeze tap while I stood outside, gate snapped shut.  A kind passenger exiting the gate helped me re-load my card and someone else let Carlene out.  Gates only allow one passenger per tap, we learned. 

We said good-bye, then I tried to balance my two suitcases and carry-on to get on the escalator. Luckily,  I mounted without dropping anything, and I stepped onto the southbound train a nanosecond before it lurched on the tracks and departed. 

I found a seat—not the one reserved for seniors with three bags (those were taken up by twenty-somethings listening to music on their phones), and I managed hang on to my  bags in the aisle while the train raced through Atlanta.  All the while, I felt out of it, like a little old lady who didn't know beans about what to all the other riders was second nature. 

I made it through Marta and the packed Plane Train and security, shoes off, laptop in its separate bin, but it took me a while to get over feeling rattled by my ineptitude with the  Breeze machine.

The world has grown too fast, too packed, too dangerous, I thought--remembering the events of yesterday in California. Travelers seem isolated in their own heads, and I, too, feel isolated. I keep hearing the words, "high alert," and I'm noting the difference between today's wariness and the sense of expectancy and connectedness we used to feel among other travelers at airports.

But then I thought of the people I was leaving and the people I was on my way to see and the caring stranger at the train station.  I sat for a while and remembered how connected I am to so many people.  I was glad Kate was coming to pick me up.

On the plane, I found a seat between a woman and her husband.  Her face was all-over bruised and the skin on her tiny hands was paper-thin.  We talked cheerfully throughout the flight--mostly about children, grandchildren, and books.  While I never learned for sure, I suspected that she was ill.

Her husband--a retired doctor--was caring and sweet and on his way to run a marathon in San Antonio.  After returning from the bathroom, the wife caught the thin skin of her hand in the seat belt latch and her husband reached across me to release it, but a large blue bruise formed instantly.  "I bruise easy," she told me.

Later, standing in the bathroom line with her husband, the flight attendant asked us if we could remember who'd written and sung "Sandman, Bring me A Dream," but neither of us could.   "Do you like running?" I asked him.

He shook his head.  "I just needed to get out of the house," he said, grinning.  "I had too many opinions about how she should run the house and she told me to get out of the house and do something, so I decided to run.  That was four years ago.  I was 72."

Back at our seats, we listened as the flight attendant sang "Sandman" on the speakers--changing the words to make it about Southwest Airlines.  Then she announced that the man in 11 B had a birthday.  She turned off all the lights and asked us to turn on our call lights (LED candles) as we sang Happy Birthday.  Suddenly the cabin in the sky was like a flying birthday cake!

The flight attendant put a crown on the birthday man's head and he blew--and we all turned off our call lights together, flames out.

The marathon runner helped his fragile wife down the aisle, carrying both his bags and hers.  The birthday man disappeared into the crowd. I texted Kate that I'd landed.

We all dispersed after baggage claim, leaving the parenthesis of air travel and returning to our own stories on the patch of ground we know.










Friday, December 4, 2015

The Real Santa Claus

When I got this picture from my cousin, I kept thinking of the words to the song, "Christmas Was Meant for Children."



This Santa looks like the real deal, the one we used to see in storybooks as children.  And this little girl, abandoned by her mother at birth, has found a happy home with my cousin Missy and her mom, Beth.

Her grandmother--my cousin Beth--makes her the most beautiful clothes and hair bows--and Lola's nickname is Sassy.  We're all hoping (and crossing our fingers) that she will be officially adopted by the 17th and that she'll be all set to have a string of merry Christmases in the only home she's ever known.

Thursday, December 3, 2015

The Power of Music

"Alive Inside" is an excellent documentary on Netflix: a study of dementia patients who are revitalized by listening to music of their younger years on iPods.  While demented patients in nursing homes are given expensive drugs that do little or nothing to change their condition, the relatively inexpensive iPods, filled with music tailored to each patient, yields striking results.   They sing, some of them dance, and memories surface even in those who minutes earlier could not remember the names of their own children.

I used to visit  nursing homes and Alzheimers units when my friend Gary played the piano there.  I remember how animated the patients' faces became as they listened to the tunes of the Twenties and Thirties, and how--occasionally--one of them would stand up and sway to the music. One woman always asked for "Some Enchanted Evening."

Likewise, in this documentary, we learn that music--like nothing else--stirs memories of enchanted evenings.  Faces become happier and more expressive, bodies move to the rhythm, and the perpetual mental fog of dementia seems to lift.








Wednesday, December 2, 2015

Visiting with Mama 'n Them

Carlene and I loved the movie Brooklyn yesterday--a beautiful story about a young Irish immigrant to America in 1952.

Today we saw Spotlight--a disturbing but well-done film about journalists in Boston who exposed the cover-up of pedophile priests.

Carlene has said she's over cooking, but the delicious lunch she made today for Bob, Jocelyn, and me proved otherwise--pork chops and green beans, corn and rice and corn bread. I made dessert--Nabisco Pie, an old favorite from Cochran.  It's one of those childhood-memory comfort foods I can only make in Georgia because no one in San Antonio stocks the original Biscos brand Sugar Wafers.  I could have eaten the whole pie by myself!



Here's my mama (four years before she was my mama) in a photo in her 1944 college (Georgia State College for Women) yearbook, Camelot.  She was the literary editor of the college magazine and Flannery O'Connor was her assistant!


Carlene is in the white sweater, seated; Flannery is the one standing in the corner wearing black.

Before I left Mike's, I completed his 70th birthday present, a collage of two-inch photographs of parts of classic cars--headlights, tail lights, steering wheels, mirrors, etc;



Heading back to Texas on Friday--to see these two little munchkins (and their parents) and their new tree.